Anthony Freda, from Madison Avenue to Christ's Path
Through his paintings and projects, Anthony’s message is clear: art is not only for expression, but for communion with God and an invitation for others to encounter His presence.
Anthony has made the journey from mainstream success to spiritual purpose and has seen his social-political art evolve into devotion to Christ, demonstrating how art can be a prophetic voice in culture.
Freda's award-winning illustrations and paintings have appeared in numerous publications, including the New Yorker, Time, Rolling Stone, and the New York Times. He has a permanent art exhibit at the 9/11 memorial In NY.
Anthony Freda
Anthony began his career in advertising, notably working on the infamous Joe Camel campaign. When the FTC ruled the campaign illegal for marketing cigarettes to children, Freda experienced a profound moral awakening that led him to leave advertising behind. He went on to work with prestigious publications such as The New York Times and The New Yorker, but it was his work on an OpEd piece for The New York Times promoting the Iraq War that sparked another ethical reckoning. Realizing he had gone from selling cigarettes to selling war, Freda transitioned once more, joining the early alternative media movement in the 2000s.
Freda's work has often pushed boundaries, both politically and artistically. His art is part of the permanent collection of the 9/11 Museum and Memorial in New York, where his piece is one of the only works that questions the official narrative of the events of 9/11. His ten-year tenure with Infowars as an illustrator and writer further cemented his place in the world of controversial alternative news, and he has been vocal about his role in the space.
Freda’s work, especially his art, continues to stir debate. In 2024, an author in Germany faced legal consequences for simply posting one of his book covers on social media, and Freda himself has been extensively censored for his dissent against the official COVID-19 narrative. He has even been flagged as a potential domestic terrorist for his critical stance and controversial imagery. One of his most notable works is a covert illustration for The Wall Street Journal in 2025, where he secretly adorned Xi Jinping's tie with skull motifs as a subtle critique of global politics.
In 2024, Freda worked as an illustrator and media consultant for RFK Jr.’s Super-Pac, AV24, further cementing his role in the political and media landscape. However, in recent years, Freda has pivoted his artistic focus towards Christian art. After decades of political commentary, he now sees the battle as spiritual and has committed to dedicating much of his creative work to Christ, producing original pieces as a devotion to his faith.